History Quotes

इराकियों के पास एक ऐसा देश है जिसकी संस्कृति हजारों साल पुरानी है जबकि अमेरिकियों की संस्कृति महज दो सौ साल पुरानी है। दो सौ साल वाले हजारों साल वालों को सिखाएंगे!? हे अमेरिकियों, इराक को उसके हाल पर छोड़ दो।

The Iraqis have a country that inherited cultures thousands of years old while the Americans have a culture only two hundred years old. Two hundred years will teach thousands of years!? Oh Americans, leave Iraq for its people.

The Iraqis have a country that inherited cultures thousands of years old while the Americans have a culture only two hundred years old. Two hundred years will teach thousands of years!? Oh Americans, leave Iraq for its people.

मैंने ओबोट को आमंत्रित नहीं किया था, न ही मैं कर सकता था और न ही कभी करूँगा... ऐसा इसलिए क्योंकि ओबोट वह व्यक्ति है जिसने हमारे इतिहास में बहुत सारी गलतियाँ की हैं।

I did not, I could not and I will never invite Obote, ... This is because Obote is someone who made a lot of mistakes in our history.

I did not, I could not and I will never invite Obote, ... This is because Obote is someone who made a lot of mistakes in our history.

कला का मूल्य 'विस्मृति की दुनिया' (अंधेरे या भुलाए जा चुके संसार) में झाँकने और उन चीज़ों को खोजने की उसकी क्षमता में है जिन्हें आम तौर पर पहचाना नहीं जाता, जो भुला दी जाती हैं, अदृश्य होती हैं और जिन्हें बयां करना नामुमकिन होता है।

The value of art is its ability to look into the "world of oblivion" and to find things that are generally unrecognized, forgotten, invisible and impossible to tell.

The value of art is its ability to look into the "world of oblivion" and to find things that are generally unrecognized, forgotten, invisible and impossible to tell.

मैं अपनी हर बात की शुरुआत यह कहकर करती हूँ कि "यह कुछ नया नहीं है।" क्योंकि ज़्यादातर सामाजिक आंदोलन पहले भी हो चुके हैं और मैं इस बात को समझती हूँ। मैं जो कुछ भी कर रही हूँ, उसमें कुछ भी नया नहीं है।

I try to preface everything with "this isn't new." Because most social movements have happened before and I get that. Nothing I'm doing is new.

I try to preface everything with "this isn't new." Because most social movements have happened before and I get that. Nothing I'm doing is new.

हमने यहीं यह फैसला किया था। इलिच (लेनिन) का मानना था कि हमें श्वेत सेनाओं के लिए ऐसा कोई जीवंत प्रतीक नहीं छोड़ना चाहिए जिसके इर्द-गिर्द वे एकजुट हो सकें, खासकर मौजूदा कठिन परिस्थितियों में।

We decided it here. Ilyich [Lenin] believed that we shouldn't leave the Whites a live banner to rally around, especially under the present difficult circumstances.

We decided it here. Ilyich [Lenin] believed that we shouldn't leave the Whites a live banner to rally around, especially under the present difficult circumstances.

विशेषकर जब हमारे संबंधों में कठिनाइयाँ आएं, तो चीन और जापान के दलों तथा राजनेताओं को एक ऊंचे दृष्टिकोण से स्थिति का जायजा लेना चाहिए और द्विपक्षीय संबंधों के राजनीतिक आधार को सुरक्षित रखना चाहिए।

Especially when there are difficulties in our relations, parties and statesmen in China and Japan should look over the situation from a higher point of view and preserve the political foundation of bilateral ties.

Especially when there are difficulties in our relations, parties and statesmen in China and Japan should look over the situation from a higher point of view and preserve the political foundation of bilateral ties.

यूरोप हमेशा संकटों से आगे बढ़ा है। हर संकट अपने साथ अवसर भी लेकर आता है, और यूरोप हर बार पहले से अधिक मजबूत बनकर उभरा है। इतिहास का पहिया इसी तरह चलता है। यूरोप कभी-कभी सुस्त होता है और उसकी प्रतिक्रिया धीमी होती है, लेकिन वह समाधान ढूंढने में सक्षम है।

Europe has grown through crises. Each crisis also presents opportunities, and Europe has emerged stronger from each one. That is the way history unfolds. Europe is sometimes slow, and it reacts sluggishly, but it is capable of finding solutions.

Europe has grown through crises. Each crisis also presents opportunities, and Europe has emerged stronger from each one. That is the way history unfolds. Europe is sometimes slow, and it reacts sluggishly, but it is capable of finding solutions.

मेरे लिए यह हमेशा से बहुत खूबसूरत बात रही है कि आज 21वीं सदी में आप कुछ ऐसा कर सकते हैं जो कोई नक़ल नहीं है, बल्कि जिसका जुड़ाव 4,000 साल पुरानी कला से है।

For me, it's always very beautiful that you can do something today in the 21st century which is not an imitation but which has a connection to art which is 4,000 years old.

For me, it's always very beautiful that you can do something today in the 21st century which is not an imitation but which has a connection to art which is 4,000 years old.

Ek tarah se, prayashchit ka koi bhi kadam un logon ke liye purna nahi hoga jinki zindagi ko ek insan ke roop me aur fir ek katholik sanstha ke vittiy karz ko chukane ke liye insani sampatti ke roop me kam aanka gaya tha. Phir bhi, vishwavidyalaya ko ek aisa karyakram bhi laana chahiye - jaisa ki vah karne ki koshish kar raha hai - jo apne atit ke kamo ki bhayankata aur galti ko swikar kare aur apne chhatro, shikshako aur prashasako ko sabhi logo ki garima ke prati jagruk kare, visheshkar un logo ki jo aaj bhi samman aur garima ke kabil nahi maane jaate.

In one sense, no act of reparation will be satisfactory for those whose lives were so under-valued both as human beings held in slavery and then as human chattel to satisfy the financial indebtedness of a Catholic institution. Nonetheless, the university must also put into place - as it is attempting to do - a program that both admits the horror and error of its past actions and directs its students, faculty, and administrations to an awareness of the dignity of all people, especially those who even today are often considered less than worthy of respect and dignity.

In one sense, no act of reparation will be satisfactory for those whose lives were so under-valued both as human beings held in slavery and then as human chattel to satisfy the financial indebtedness of a Catholic institution. Nonetheless, the university must also put into place - as it is attempting to do - a program that both admits the horror and error of its past actions and directs its students, faculty, and administrations to an awareness of the dignity of all people, especially those who even today are often considered less than worthy of respect and dignity.

Hume apne logon ko yaad dilana chahiye ki katholik samudaay ke bade hisse, jisme unke apne parivar bhi shamil hain, kabhi khud pravasi the jinhe purani peedhiyon ke sankirn pakshpat ko sehna pada tha, jo katholikon ke bare me wahi tiraskari aur katu bhasha bolte the jo aaj naye pravasiyon ke khilaf boli ja rahi hai.

We must remind our people that a great majority of Catholics including their own families were once themselves immigrants forced to endure the nativist bigotry of earlier generations who spoke about Catholics with the same disparaging vitriol being hurled at the new immigrants of now.

We must remind our people that a great majority of Catholics including their own families were once themselves immigrants forced to endure the nativist bigotry of earlier generations who spoke about Catholics with the same disparaging vitriol being hurled at the new immigrants of now.

ऐसा लगता है कि हम जैसे ही ज़िंदगी में कोई नया मोड़ लेते हैं, रॉकीफेलर परिवार वहाँ पहले से मौजूद मिलता है। और कुछ मामलों में तो वे वहाँ बहुत, बहुत लंबे समय से हैं।

It seems like every new corner we turn, the Rockefellers are already there. And in some cases, they have been there for a long, long time.

It seems like every new corner we turn, the Rockefellers are already there. And in some cases, they have been there for a long, long time.

मैल्कम डेवन को कौन भूल सकता है?

Who could forget Malcolm Devon?

Who could forget Malcolm Devon?

मुझे लगता है कि मैं डार्विन को एशिया के साथ एक गहरे जुड़ाव में देख सकता हूँ।

I think that I could see Darwin having a relationship with Asia.

I think that I could see Darwin having a relationship with Asia.

मैंने अपना खुद का एक शो बनाने का फैसला किया जहाँ मैं दर्शकों को नस्ल के बारे में उसी तरह से सोचने के लिए आमंत्रित कर सकूँ जिस तरह से मैं कभी-कभी सोचता हूँ। इसलिए यह अमेरिका में नस्ल और इतिहास को गहराई से समझने और इसे व्यक्तिगत तथा नाटकीय रूप देने का एक प्रयास था।

I decided to try to make a show of my own where I could invite an audience to obsess about race the way I sometimes do. So it was an attempt to dig into the race and history in America, and to make it personal and dramatic.

I decided to try to make a show of my own where I could invite an audience to obsess about race the way I sometimes do. So it was an attempt to dig into the race and history in America, and to make it personal and dramatic.

मोरक्को की विदेश नीति के चार मुख्य आधार: मघरेब, अरब जगत, अफ्रीका और अन्य साझीदार

The four main orientations of Morocco's foreign policy: the Maghreb, the Arab world, Africa and other partners

The four main orientations of Morocco's foreign policy: the Maghreb, the Arab world, Africa and other partners

जहाँ तक मेरा सवाल है, 20वीं सदी परफॉरमेंस-प्रधान थी, लेकिन न जाने क्यों, समीक्षकों और इतिहासकारों को यह समझ नहीं आया कि इसे कैसे शामिल किया जाए।

As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

मैंने हमेशा यही कहा है कि सड़कों पर किसी क्रांति की उम्मीद हमने कभी नहीं की थी।

I have always said that we did not expect a revolution in the streets.

I have always said that we did not expect a revolution in the streets.

1962 से... अदालतों ने इस देश को सुनियोजित तरीके से धर्मनिरपेक्ष बनाना शुरू कर दिया, जो इस सोच को दर्शाता है कि सार्वजनिक मंच पर भगवान और बाइबिल के लिए कोई जगह नहीं है।

Beginning in 1962... the courts began to systematically secularize the nation, reflecting its view that God and the Scripture had no place in the public arena.

Beginning in 1962... the courts began to systematically secularize the nation, reflecting its view that God and the Scripture had no place in the public arena.

1930 के दशक के उत्तरार्ध में, ब्रिटिश और अमेरिकी दोनों फिल्म उद्योगों ने नाजीवाद और फासीवाद के बढ़ते खतरे का मुकाबला करने के साथ-साथ लॉस एंजिल्स की ब्रिटिश कॉलोनी के कलाकारों को रोजगार देने के लिए ब्रिटिश साम्राज्य की शालीनता का गुणगान करने वाली फिल्मों की एक श्रृंखला बनाई। उनमें से सबसे बेहतरीन दो थीं हॉलीवुड की 'गंगा दीन' और ब्रिटेन की 'द फोर फेथर्स'...

In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...

In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...

इस तरह किट्च में हमें अतीत के संघर्षों के परिणामों का फिर से इस्तेमाल देखने को मिलता है।

We meet thus in kitsch with a reappropriation of the results of past struggles.

We meet thus in kitsch with a reappropriation of the results of past struggles.