पूरी बात इस पर थी कि हम इन कॉस्ट्यूम्स को लाइट के साथ कैसे तैयार करें, और इन्हें थोड़ा और हाई-फैशन, थोड़ा ज़्यादा बोल्ड और ज़रा हटके कैसे बनाएं। हमने इस पर जी-तोड़ रिसर्च की, एक-दूसरे को लगातार नए आइडियाज़ दिए और एक-दूसरे की प्रेरणा बने।
It was all about how we were going to build these costumes with lighting in them, and trying to make them a little more high fashion, a little sexier, and a little edgier. But we just did tons and tons of research, and we would constantly be bringing things to each other and inspiring each other.
It was all about how we were going to build these costumes with lighting in them, and trying to make them a little more high fashion, a little sexier, and a little edgier. But we just did tons and tons of research, and we would constantly be bringing things to each other and inspiring each other.
हमने सबसे पहले गैरेट के सूट पर लाइटें लगाई थीं। वह हमारा पहला तैयार किया हुआ कॉस्ट्यूम था, जो "सैम" के किरदार के लिए था। उसे देखकर मेरी आँखों में खुशी के आँसू आ गए, क्योंकि आप किसी चीज़ को सच करने के लिए इतनी मेहनत करते हैं और नींद की कमी से बेसुध हाल में वहाँ डटे रहते हैं। जब वह काम करता है और उस पर गैरेट की प्रतिक्रिया सामने आती है, तो आपकी सारी मेहनत वसूल हो जाती है।
The first time we ever lit up a suit was on Garrett. He was the first finished costume that we had, the "Sam" character. And it brought tears to my eyes, because you're working so hard to make something happen and you're just in there, and you're delirious with sleep deprivation. To see it work, to see his reaction, made it all worthwhile.
The first time we ever lit up a suit was on Garrett. He was the first finished costume that we had, the "Sam" character. And it brought tears to my eyes, because you're working so hard to make something happen and you're just in there, and you're delirious with sleep deprivation. To see it work, to see his reaction, made it all worthwhile.
शूटिंग खत्म होने से पहले ही कई चीज़ें चर्चा में आ चुकी थीं। उदाहरण के लिए, हमारे ग्लव्स की उंगलियाँ हमेशा खुली रहती थीं, और वे हमेशा लैटेक्स और काले रंग की होती थीं। वर्साचे का जो कलेक्शन उस साल स्प्रिंग में रैमवॉक पर आया, उसे देखकर हम चौंक कर बोल उठे, "अरे बाप रे!" और बाद में उन्होंने खुद माना कि वह "ट्रॉन" फिल्म से प्रेरित था। मुझे यह बहुत अच्छा लगा! मेरे लिए इसमें कोई बुरी बात नहीं है, बल्कि मुझे यह देखकर खुशी होती है कि लोग इस फिल्म से प्रेरणा ले रहे हैं।
Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex and black. And that Versace collection that hit the runway in the spring, we went, "Oh my gosh!" and then they came out and said it was "Tron" inspired. I love it! To me, there are no insults in that whatsoever. I love that other people are inspired by the movie.
Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex and black. And that Versace collection that hit the runway in the spring, we went, "Oh my gosh!" and then they came out and said it was "Tron" inspired. I love it! To me, there are no insults in that whatsoever. I love that other people are inspired by the movie.
आप इस बात को अच्छी तरह समझते हैं कि आप एक ऐसी प्रिय फिल्म के लिए 3D फ़िल्म शूट कर रहे हैं जिसे फैंस बहुत चाहते हैं, यह सबकी नज़रों में होगी और आपको अपना बेस्ट देना ही होगा। समय के साथ यह प्रोजेक्ट जिस भव्य रूप में ढलता गया, वह वाकई देखने लायक था। शूटिंग खत्म होने के बाद जब हम पहली बार कॉमिक-ककॉन गए, तो मेरे मुँह से बस यही निकला, "ओह माय गॉड, ओह माय गॉड!"
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"
मुझे अपना काम बहुत पसंद है और कहानी कहने की इस प्रक्रिया का हिस्सा बनना अच्छा लगता है। इसके अलावा, तकनीक में होने वाले नए बदलाव मुझे बेहद आकर्षित करते हैं। हफ्ते के सातों दिन और रोज़ाना 20 घंटे काम करने के दौरान यही जूनून था जो मुझे थकावट के बावजूद आगे बढ़ाता रहा। ऐसा काम करने के लिए आपको अपने काम से बेइन्तेहा प्यार होना ज़रूरी है।
I love what I do and I love being part of the storytelling process. And I love the technological advancements. It was the thing that kept me going on every 20-hour day, 7 days a week. You have to love it to do that.
I love what I do and I love being part of the storytelling process. And I love the technological advancements. It was the thing that kept me going on every 20-hour day, 7 days a week. You have to love it to do that.
वे (थ्रोन और लिगेसी वाले कॉस्ट्यूम्स) फोम लैटेक्स से बने हैं, जो असल में वही मटेरियल है जिससे प्रोस्थेटिक मेकअप बनता है। इसलिए ये बहुत नाज़ुक और कमज़ोर होते हैं। ऊपर से जब आप इनमें इलेक्ट्रॉनिक पार्ट्स फिट करते हैं, तो इनकी नाज़ुकता और बढ़ जाती है। यही वजह है कि हमारे पास कई सारे सूट होते थे और कभी-कभार हमें दोपहर के खाने के वक्त सूट बदलना पड़ता था और दूसरे वाले को "सूट-हॉस्पिटल" भेजना पड़ता था। वह बिल्कुल किसी सर्जरी सेंटर जैसा लगता था।
They [Throne; legacy costumes] are made out of foam latex, which is basically what prosthetic makeup is made out of. So it's very delicate and very fragile. And then you put the electronics in there and you have a whole other level of fragility. So we had many suits and sometimes we would have to change out at lunchtime and send the other one to the "suit-hospital." It was like a surgery centre.
They [Throne; legacy costumes] are made out of foam latex, which is basically what prosthetic makeup is made out of. So it's very delicate and very fragile. And then you put the electronics in there and you have a whole other level of fragility. So we had many suits and sometimes we would have to change out at lunchtime and send the other one to the "suit-hospital." It was like a surgery centre.
सच कहूँ तो, आपको हर चीज़ को एकदम फिट, स्लीक, आकर्षक और शरीर से सटा हुआ रखना होता था। एक्टर्स को भी अपनी सहनशक्ति की परीक्षा देनी पड़ी और काफ़ी मेहनत करनी पड़ी। लेकिन हाँ, आप अभिनेताओं के शारीरिक गठन को ध्यान में रखते हुए डिज़ाइनों में बदलाव करते हैं ताकि वे और ज़्यादा आकर्षक और ताकतवर लग सकें। आप चाहते हैं कि वे जितने बेहतरीन दिखें, उतने ही सहज और आरामदायक भी महसूस करें।
Really, you have to keep everything streamlined, and lined and sexy and close to their body. They really had to work very hard at their own patience. But yeah, you absolutely consider their physiques as they are, and how can we help them look even better, or more powerful, and you adapt designs for the actors. You want to keep them as cool as comfortable as you can.
Really, you have to keep everything streamlined, and lined and sexy and close to their body. They really had to work very hard at their own patience. But yeah, you absolutely consider their physiques as they are, and how can we help them look even better, or more powerful, and you adapt designs for the actors. You want to keep them as cool as comfortable as you can.
उस समय जितनी भी तकनीकें मौजूद थीं, अगर हम उनका इस्तेमाल करते तो हमारा काम नहीं चलता क्योंकि उनमें से कोई भी लचीली नहीं थी। हर चीज़ किसी न किसी रूप में सख्त थी, इसलिए हमें किसी ऐसी व्यावहारिक तकनीक की तलाश में निकलना पड़ा जो वाकई काम आ सके। इस तरह लाइट्स को डिज़ाइन करने और समझने में ही हमारे पूरे चार महीने निकल गए।
Trying to use all the existing technologies that were out there wouldn't work for us because none of them were flexible. Everything was rigid in some way, so we had to go on a manhunt, essentially for something that was a viable technology. So it was a good four-months of just designing and figuring out the lights.
Trying to use all the existing technologies that were out there wouldn't work for us because none of them were flexible. Everything was rigid in some way, so we had to go on a manhunt, essentially for something that was a viable technology. So it was a good four-months of just designing and figuring out the lights.
हमारे पास कॉस्ट्यूम डिजाइनर्स की एक ऐसी टीम भी थी जो हमारे लिए फैब्रिक्स और टेक्सचर्स के सैंपल तैयार करती थी, पुतलों पर कपड़ों के कटिंग और डिज़ाइन सेट करके देखती थी ताकि डिज़ाइनिंग के प्रोसेस में मदद मिल सके। इन सबके बाद जाकर हम उस मुकाम पर पहुँचे जहाँ हमें यह तय करना था कि उन पर लाइटें कैसे लगानी हैं। यह अपने आप में एक बहुत बड़ा और चुनौतीपूर्ण काम था।
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
मैं अपनी ही टीम की बड़ाई नहीं करना चाहती, लेकिन सच कहूँ तो हमारी पूरी डिज़ाइन टीम और इस डिपार्टमेंट ने कई ऐसी चीज़ों में पहली बार पहल की है जो इससे पहले कभी नहीं की गई थीं। मुझे लगता है कि इसका लुक बेहद खूबसूरत है। साफ कहूँ तो यह तारीफ और पहचान का हकदार है।
I don't want to toot all of our horns, but the entire design team and this department really pioneered a bunch of things that have never been done before. I think it's a beautiful look. I think it deserves recognition quite frankly.
I don't want to toot all of our horns, but the entire design team and this department really pioneered a bunch of things that have never been done before. I think it's a beautiful look. I think it deserves recognition quite frankly.