कुछ हद तक। मुझे लगता है कि मैं हमेशा से ही 'कॉर्ड्स' (संगीत के सुरों का समूह) से जुड़ा रहा हूँ। कॉर्ड्स ही हर चीज की नींव हैं। 'यस' (बैंड) का कुछ काम बहुत सीधा है, भले ही वह जटिल हो, लेकिन वह एकल-पंक्ति वाली धुन है। इसलिए 'यस' के साथ काम करते समय मुझे एक अलग दृष्टिकोण अपनाना पड़ा। वह उतना कॉर्ड-आधारित नहीं था।
To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
मैं हमेशा से संगीत में तकनीक के मेल से रोमांचित रहा हूँ, न केवल रिकॉर्डिंग में, बल्कि कीबोर्ड में भी। यह अद्भुत है कि आप तकनीक को एक कला के रूप में कैसे लागू कर सकते हैं।
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
हमने हमेशा हर एल्बम को अलग तरह से पेश करने की कोशिश की है और मुझे लगता है कि पहले दिन से ही 'एशिया' (बैंड) के हर एल्बम को बहुत सावधानी और सोच-समझकर तैयार किया गया है, और उम्मीद है कि बीस साल बाद भी वह बात झलकती है।
We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
कीबोर्ड या एकॉस्टिक पियानो पर हाथ रखने जैसा कुछ नहीं है। ये ऐसी चीजें हैं जिनकी जगह कोई नहीं ले सकता।
There is nothing like having your hands on a keyboard. Or an acoustic piano. Those are the things you can't really replace.
There is nothing like having your hands on a keyboard. Or an acoustic piano. Those are the things you can't really replace.
'द बगल्स' काफी हद तक एक स्टूडियो-आधारित विचार था, जिसे हमने कभी असल में लाइव परफॉर्म नहीं किया।
The Buggles was much more a studio environment idea, which we never actually took on the road.
The Buggles was much more a studio environment idea, which we never actually took on the road.
NOAH के साथ आप बेहद शानदार और मौलिक साउंडस्केप बना सकते हैं। एक परफॉरमेंस टूल के रूप में यह वाकई कमाल का है, क्योंकि आप एक ही परफॉरमेंस में बहुत सारी बारीकियां जोड़ सकते हैं।
With NOAH, you can create some stunning, yet original soundscapes. Therefore, as a performance tool, it really comes into its own because you can make one single performance which has a lot of detail.
With NOAH, you can create some stunning, yet original soundscapes. Therefore, as a performance tool, it really comes into its own because you can make one single performance which has a lot of detail.
मुझे लगता है कि 'यस' (Yes) बैंड का संगीत अपने आप में अनोखा है, जो अलग-अलग दौर से गुज़रा है और जिसमें अलग-अलग लोग शामिल रहे हैं। मुझे नहीं लगता कि किसी एक साल को दूसरे से बेहतर कहा जा सकता है। वे सभी दौर अपनी जगह आराम से साथ रह सकते हैं।
I think that Yes' music is kind of on its own out there, and it goes through different chapters, and that involves different people. I don't think it's a case of 'any year is better than any other.' They can all co-exist quite comfortably.
I think that Yes' music is kind of on its own out there, and it goes through different chapters, and that involves different people. I don't think it's a case of 'any year is better than any other.' They can all co-exist quite comfortably.
मेरा मानना है कि जब आप किसी बैंड को फॉलो करते हैं, तो आप एक तरह की शैली को फॉलो कर रहे होते हैं, भले ही मैं 'ब्रांड' शब्द का इस्तेमाल करना पसंद न करूं। इसलिए आपको यह स्वीकार करना होगा कि समय-समय पर इसमें अलग-अलग लोग शामिल होते रहेंगे।
I think when you follow a band, you're following a - and I don't like to use the term 'brand,' but you are following a kind of style, if you like. So I think you have to accept that there will be different people involved from time to time.
I think when you follow a band, you're following a - and I don't like to use the term 'brand,' but you are following a kind of style, if you like. So I think you have to accept that there will be different people involved from time to time.
आज प्रो टूल्स (Pro Tools) की मदद से आप लेयर्स और सैकड़ों ट्रैक्स के साथ प्रयोग कर सकते हैं। पुराने समय में जब हम रिकॉर्डिंग करते थे, तो हमारे पास बस एक ही मौका होता था, या फिर आपको उसे मिटाकर उसी ट्रैक पर दोबारा काम करना पड़ता था।
Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
स्टिक्स (Styx) की अपनी एक संगीत शैली है और मुझे लगता है कि यह पूरी तरह जायज है, ठीक वैसे ही जैसे एशिया (Asia) और 'यस' की रही है—खासकर 'यस' की एक ऐसी अनूठी शैली है जिसने 43 सालों से संगीत की हर सीमा को पार किया है।
Styx has their own style of music, and I think that's justifiable, the same way that Asia and Yes have had - Yes particularly has a unique style that seems to have transcended all styles of music for 43 years.
Styx has their own style of music, and I think that's justifiable, the same way that Asia and Yes have had - Yes particularly has a unique style that seems to have transcended all styles of music for 43 years.