भले ही निशाना दिमाग पर हो, लेकिन असली सटीक प्रहार दिल पर होता है।
Although the mind may be part of your target, the heart is the bull’s-eye.
Although the mind may be part of your target, the heart is the bull’s-eye.
‘इम्प्रो: इम्प्रोवाइजेशन एंड द थिएटर’ जैसी बुनियादी काम के लेखक कीथ जॉन्स्टन, इस विषय पर एक शानदार बात कहते हैं: “कुछ लोग ‘हाँ’ कहना पसंद करते हैं, और कुछ लोग ‘ना’ कहना पसंद करते हैं। जो लोग ‘हाँ’ कहते हैं, उन्हें अपने रोमांचक अनुभवों का इनाम मिलता है, और जो ‘ना’ कहते हैं, उन्हें अपनी सुरक्षा का इनाम मिलता है।” क्या आप हमेशा सुरक्षित खेलकर अपने संदेश के उद्देश्य को पूरा कर पाएंगे?
Keith Johnstone, author of the seminal improv work Impro: Improvisation and the Theatre, offers a brilliant quote on the subject: “There are people who prefer to say ‘Yes,’ and there are people who prefer to say ‘No.’ Those who say ‘Yes’ are rewarded by the adventures they have, and those who say ‘No’ are rewarded by the safety they attain.” Will you attain your message objectives by playing it safe?
Keith Johnstone, author of the seminal improv work Impro: Improvisation and the Theatre, offers a brilliant quote on the subject: “There are people who prefer to say ‘Yes,’ and there are people who prefer to say ‘No.’ Those who say ‘Yes’ are rewarded by the adventures they have, and those who say ‘No’ are rewarded by the safety they attain.” Will you attain your message objectives by playing it safe?
लोकप्रिय लेखक बड़ी कहानियाँ सुनाना पसंद करते हैं। वैज्ञानिक सच बयां करना पसंद करते हैं।
Popular writers like to tell big stories. Scientists like to tell the truth.
Popular writers like to tell big stories. Scientists like to tell the truth.
हॉलीवुड पटकथा लेखन के दिग्गज गुरु रॉबर्ट मैकी अपनी उत्कृष्ट पुस्तक ‘स्टोरी’ में जिसे वे “कहानी कहने का संघर्ष का नियम” कहते हैं, उसका वर्णन करते हुए लिखते हैं कि, “कहानी में संघर्ष के बिना कुछ भी आगे नहीं बढ़ता।
Robert McKee, the uber-guru of Hollywood screenwriting, in his masterwork, Story, describes what he calls “The Law of Conflict for storytelling,” which is that, “Nothing moves forward in a story except through conflict.
Robert McKee, the uber-guru of Hollywood screenwriting, in his masterwork, Story, describes what he calls “The Law of Conflict for storytelling,” which is that, “Nothing moves forward in a story except through conflict.
प्रतिस्थापन का नियम।” वे कहते हैं, “मैं इसे ‘और’ शब्द की जगह ‘लेकिन’ या ‘इसलिए’ का उपयोग करने का नियम कहता हूँ। यानी हमेशा ऐसा होता है कि ‘यह हुआ’ और फिर यह हुआ और फिर यह हुआ—जब भी मैं लेखन में वापस जाकर इसे बदल सकता हूँ—कि यह हुआ, इसलिए यह हुआ, लेकिन यह हुआ—जब भी आप अपने ‘और’ को ‘लेकिन’ या ‘इसलिए’ से बदल सकते हैं, तो लेखन और बेहतर हो जाता है।
Rule of Replacing.” He says, “I sort of always call it the rule of replacing ‘ands’ with either ‘buts’ or ‘therefores,’ and so it’s always like ‘this happens’ and then this happens and then this happens – whenever I can go back in the writing and change that to – this happens, therefore this happens, but this happens – whenever you can replace your ‘ands’ with ‘buts’ or ‘therefores,’ it makes for better writing.
Rule of Replacing.” He says, “I sort of always call it the rule of replacing ‘ands’ with either ‘buts’ or ‘therefores,’ and so it’s always like ‘this happens’ and then this happens and then this happens – whenever I can go back in the writing and change that to – this happens, therefore this happens, but this happens – whenever you can replace your ‘ands’ with ‘buts’ or ‘therefores,’ it makes for better writing.