मेरा मानना नहीं है कि कलाकारों को ऐसे अनुभवों से गुज़रना चाहिए जो उनकी संवेदनाओं को सुन्न कर दें; क्योंकि संवेदनशीलता के बिना कोई भी बेहतरीन कलाकृति नहीं बनाई जा सकती।
I don't believe artists should be subjected to experiences that harden the sensibilities; without sensibility no fine work can ever be done.
I don't believe artists should be subjected to experiences that harden the sensibilities; without sensibility no fine work can ever be done.
पेरिस में बहुत कम बदलाव आते हैं; वहाँ लौटने पर हमेशा अपनापन मिल जाता है - भले ही आप कितने भी लंबे समय बाद क्यों न लौटे हों।
In Paris there are few changes; one always finds one's niche there when one returns - no matter how long one may have been away.
In Paris there are few changes; one always finds one's niche there when one returns - no matter how long one may have been away.
किसी ने कहा है कि आलोचना भी न होने से बेहतर है। मैं इस बात से सहमत नहीं हूँ। आलोचना बहुत नुकसानदेह हो सकती है जब तक कि वह किसी उस्ताद द्वारा न की जाए; और इस बात के बावजूद कि आजकल हमारे पास सैकड़ों समीक्षक हैं, यह सबसे कठिन पेशों में से एक है।
Someone has said that even criticism is better than silence. I don't agree to this. Criticism can be very harmful unless it comes from a master; and in spite of the fact that we have hundreds of critics these days, it is one of the most difficult of professions.
Someone has said that even criticism is better than silence. I don't agree to this. Criticism can be very harmful unless it comes from a master; and in spite of the fact that we have hundreds of critics these days, it is one of the most difficult of professions.