History Quotes
Topic: History
1519 quotesहम 'गुलामी गलत है' को एक नैतिक सत्य इसलिए कहते हैं क्योंकि एक खास प्रकार की गुलामी के सैद्धांतिक अध्ययन का एक विशिष्ट इतिहास रहा है। हमने सदियों तक इस पर आध्यात्मिक, आर्थिक, जैविक और दार्शनिक दृष्टिकोण से चर्चा की; हमने इसके पक्ष और विपक्ष के सभी तर्कों को सुना, दासों और गवाहों की सारी गवाही को पढ़ा, और फिर फैसला किया। हालाँकि इस 'हम' में पृथ्वी का हर इंसान शामिल नहीं है, और न ही वे अधिकांश लोग शामिल हैं जिन्होंने कभी गुलामी के बारे में ज्यादा सोचा ही नहीं है।
We call 'Slavery is wrong' a moral truth because there is a specific history of theoretical investigation of a particular kind of slavery. We discussed it for centuries in metaphysical, economic, biological, and philosophical terms; we listened to all the arguments pro and con, we read all the testimonies of slaves and witnesses, and we decided. Though this 'we" is not everybody on earth, or even most people, who've never thought about slavery much.
We call 'Slavery is wrong' a moral truth because there is a specific history of theoretical investigation of a particular kind of slavery. We discussed it for centuries in metaphysical, economic, biological, and philosophical terms; we listened to all the arguments pro and con, we read all the testimonies of slaves and witnesses, and we decided. Though this 'we" is not everybody on earth, or even most people, who've never thought about slavery much.
मुझे डिज़ाइन के इतिहास का हर दौर पसंद है। यहाँ तक कि वे दौर भी जो बदसूरत माने जाते हैं।
I love every period in design history. Even the ugly ones.
I love every period in design history. Even the ugly ones.
हकीकत में, [अल्बर्ट] कामू के विरोध के पीछे हमेशा से कम्युनिस्ट पार्टी का मुद्दा ही जिम्मेदार था। यह हमेशा और मुख्य रूप से एक राजनीतिक मामला था, एक तरह की गलतफहमी।
In fact it was always the Communist problem which was responsible for the opposition to [Albert] Camus. It was always and overall a political thing, a kind of misunderstanding.
In fact it was always the Communist problem which was responsible for the opposition to [Albert] Camus. It was always and overall a political thing, a kind of misunderstanding.
मैं चाहती हूँ कि यह फिल्म लोगों को दुनिया में महिलाओं की स्थिति के बारे में सोचने पर मजबूर करे—कि पिछले कुछ वर्षों में उनकी स्वतंत्रता के मामले में क्या सुधार आए हैं और क्या बाधाएँ आई हैं।
I would like the film to make people think about the place of women in the world - the advances and setbacks that they have experienced these past years in terms of their freedom.
I would like the film to make people think about the place of women in the world - the advances and setbacks that they have experienced these past years in terms of their freedom.
यह कहना बहुत आसान है कि "नाजी राक्षस बुरे थे," लेकिन जैसे ही हम ऐसा कहते हैं, हम इस सच्चाई को नजरअंदाज कर देते हैं कि वे आम इंसान थे जो हत्या जैसे जघन्य कृत्य कर रहे थे। उनके भी बच्चे थे, और ऐसे में क्या होता है? जैसे ही आप चीजों को सामान्यीकृत (जनरलाइज) करते हैं, वे केवल राक्षस बनकर रह जाते हैं। इससे आप किसी भी बात को गहराई और समझदारी से नहीं समझ पाते।
It's so easy to say "evil Nazi monsters," but as soon as we do that, we take away the fact that it was individuals committing individual acts of murder. They had children, and what does that do? As soon as you generalize, they become monsters. It doesn't allow you to understand it in any kind of sophisticated way.
It's so easy to say "evil Nazi monsters," but as soon as we do that, we take away the fact that it was individuals committing individual acts of murder. They had children, and what does that do? As soon as you generalize, they become monsters. It doesn't allow you to understand it in any kind of sophisticated way.
जब मैं यूनिवर्सिटी में थी तब मैंने फासीवाद की पढ़ाई की थी। मेरे पति का परिवार जर्मन यहूदी है। मैं उनकी दादी के बहुत करीब हूँ और उन्होंने 1937 में 19 साल की उम्र में बर्लिन छोड़ दिया था। तो, यह सब मेरे आस-पास ही रहा है।
I studied fascism when I was at university. My husband's family are German Jews. I'm very close to his grandma and she left Berlin when she was 19 in 1937. So, it's kind of all around me.
I studied fascism when I was at university. My husband's family are German Jews. I'm very close to his grandma and she left Berlin when she was 19 in 1937. So, it's kind of all around me.
हम जो भी करेंगे वह शायद मास इफ़ेक्ट 3 की घटनाओं से पहले या उसके दौरान होगा, उसके बाद नहीं।
Whatever we do would likely happen before or during the events of Mass Effect 3, not after
Whatever we do would likely happen before or during the events of Mass Effect 3, not after
निकोलै लोबाचेवस्की
Nikolai Lobachevsky
Nikolai Lobachevsky
मैल्कम राइटसन नेंस
Malcolm Wrightson Nance
Malcolm Wrightson Nance
क्लिमेंट वोरोशिलोव
Kliment Voroshilov
Kliment Voroshilov
किंगोरो हाशिमोटो
Kingoro Hashimoto
Kingoro Hashimoto
बडी बोल्डेन
Buddy Bolden
Buddy Bolden
जब लोग इस चीज़ यानी बिटकॉईन का इतिहास लिखेंगे, तो वे छह मिलियन से एक अरब तक पहुँचने की कहानी नहीं लिखेंगे। असली कमाल की बात तो शून्य से छह मिलियन तक पहुँचने की कहानी है। और यह हो भी चुका है! पर हम ध्यान ही नहीं दे रहे हैं! यह अविश्वसनीय है। जिस चीज़ के होने की उम्मीद दस लाख में से एक बार थी, वो सच हो गई।
When people write the history of this thing, of bitcoin, they are not going to write the story of 6 million to a billion. What is truly remarkable is the story of zero to 6 million. It has already happened! And we’re not paying attention! That’s incredible. That’s what had one chance in a million and it already happened.
When people write the history of this thing, of bitcoin, they are not going to write the story of 6 million to a billion. What is truly remarkable is the story of zero to 6 million. It has already happened! And we’re not paying attention! That’s incredible. That’s what had one chance in a million and it already happened.
कुत्तों ने भले ही शिकार में हमारा साथ निभाया हो, लेकिन यह बिल्लियां ही थीं जिन्होंने हमसे जिद करके घर बनवाए और आग की खोज करवाई।
Dogs may have kept us company on the hunt, but it was the cats who insisted we invent houses and discover fire.
Dogs may have kept us company on the hunt, but it was the cats who insisted we invent houses and discover fire.
आधुनिक आंदोलन के बिखरने से उस चीज़ का जन्म हुआ जिसे बाद में उत्तर-आधुनिकता (पोस्ट-मॉडर्न) कहा गया - चाहे इसका जो भी मतलब हो - जो अमेरिका में कलाकारों के बीच आपसी मेल-जोल और उनकी विविध पृष्ठभूमियों को दर्शाता है। उदाहरण के लिए, अमेरिका के कई महान कलाकार उन यहूदी परिवारों और पृष्ठभूमियों से थे जो रूस से सब कुछ छोड़कर भागे थे। यह बात वाकई कमाल की है कि अमेरिकी कला और सिनेमा के महान दिग्गज उन छोटे-छोटे गाँवों की पुरानी जड़ों से निकलकर आए थे। और फिर हॉलीवुड, और अमेरिकी सिनेमा का वह जादुई व सम्मोहक प्रभाव पूरी दुनिया पर छा गया...
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
उस शब्द के बारे में मैंने जो समझा है, वह है उसका संदर्भ, यानी वह किस पृष्ठभूमि से आ रहा है—जिस दौर की यह फिल्म है, उसमें ज़ाहिर है कि इसका इस्तेमाल अपमानजनक रूप से किया जाता था। 'सेल्मा' में भी कुछ ऐसा ही था। बेशक आज गानों में इसका इस्तेमाल कई अलग-अलग तरीकों से किया जाता है, यहाँ तक कि ऐसे तरीकों से भी जिससे इसकी चुभन कम हो जाए। यह पूरी तरह से इस बात पर निर्भर करता है कि इसका इस्तेमाल कहाँ और कब हुआ है, और आप इसे किस नज़र से देखते हैं। लेकिन 'रेस' फिल्म में, यह बेहद अपमानजनक है।
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.