जो कुछ भी होता है, वह कम से कम उस रूप से एक आयाम छोटा ही होता है जितना बड़ा आपने उसकी कल्पना की होती है।
Everything that happens is at least one dimension smaller than you've imagined it to be.
Everything that happens is at least one dimension smaller than you've imagined it to be.
इस बात को देखते हुए कि प्रकृति नष्ट हो रही है, राजनीतिक घटनाक्रम दूसरे दर्जे की अहमियत रखते हैं।
In the view of the fact that nature is dying, political developments are of secondary importance.
In the view of the fact that nature is dying, political developments are of secondary importance.
आखिर कैसे इतने बड़े पैमाने पर लोगों का मोजार्ट के साथ एक गहरा और बेहद सकारात्मक जुड़ाव हो सकता है?
How can such a disproportionately large number of people have a definite, and unusually positive relationship to Mozart?
How can such a disproportionately large number of people have a definite, and unusually positive relationship to Mozart?
मोजार्ट का रहस्य असल में यह है कि "वह इंसान" खुद को सुलझाने के लिए कोई चाबी हाथ ही नहीं लगने देता। मौत में भी, जिंदगी की तरह, वह अपनी कला के पीछे छिपा रहता है।
The riddle of Mozart is precisely that "the man" refuses to be a key for solving it. In death, as in life, he conceals himself behind his work.
The riddle of Mozart is precisely that "the man" refuses to be a key for solving it. In death, as in life, he conceals himself behind his work.
क्रांतिकारी मोजार्ट वह है जो अपने जीवन के आखिरी आठ वर्षों में सामने आया।
The revolutionary Mozart is the Mozart of his last eight years.
The revolutionary Mozart is the Mozart of his last eight years.
जब मैं पाँच वर्ष का था, तो मेरे माता-पिता ने मुझे एक जादुई संदूक दिया था। पढ़ना-लिखना सीखने से पहले ही मैंने (भले ही बच्चों की तरह) जादू के टोटके करने सीख लिए थे।
When I was five years old, my parents gave me a magic chest. I learned to cast spells, although of a childish kind, before I had learned to read and write.
When I was five years old, my parents gave me a magic chest. I learned to cast spells, although of a childish kind, before I had learned to read and write.
मैंने जादू करना छोड़ दिया था, क्योंकि वह अपनी पूर्णता को पहुँच चुका था। मुझे लगता था कि मैं इंसानों को जानवरों में बदल सकता हूँ। मैंने इस क्षमता का इस्तेमाल नहीं किया, क्योंकि मुझे लगता था कि किसी दूसरे के जीवन में इस तरह का दखल देना सही नहीं है।
I had given up magic, because it had reached a state of perfection. I felt that I was able to transform men into animals. I did not make use of this capability, because I believed I could not justify an intervention of this kind in the life of another person.
I had given up magic, because it had reached a state of perfection. I felt that I was able to transform men into animals. I did not make use of this capability, because I believed I could not justify an intervention of this kind in the life of another person.